Volume II
Notation & Instrumentation
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Volume two is focused on exploring the concepts of archimusic notation and instrumentation and provide eleven readings on graphic and software aspects and the methods of motion, time and creative process.
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- 1. Along Parallel Lines: Architectural and Musical Notation
- Jim Lutz – 2014
- 2. Music and Architecture: A Cross between Inspiration and Method
- Alessandra Capanna – 2009
- 3. Drawing Electroacoustic Music
- Thiebaut, Healey, Kinns – 2007
- 4. Music To Be Seen: Tracing Xenakis’ Creative Process
- Sharon Kanach – 2010
- 5. Notation
- R. Murray Schafer – 1994
- 6. Musical Space and Architectural Time
- Hanoch-Roe, Galia – 2003
- 7. Scoring the Path
- Hanoch-Roe, Galia – 2007
- 8. Transpositions: Architecture as Instrument/Instrument as Architecture
- Jim Lutz – 2007
- 9. How Do You Draw a Sound
- Carey Lovelace – 2010
- 10. The UPIC System
- Sharon Kanach – 2008
- 11. Architecture and Motion: Ideas on Fluidity in Sound, Image and Spape
- Yolande Harris – 2002
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